AN
EXHIBITION
CELEBRATING
THE
20TH
ANNIVERSARY
OF
HONG
KONG
ART
SCHOOL

Enoch CHEUNG 張康生

簡介 Biography

Enoch Cheung obtained Bachelor of Arts (Fine Art) and Master of Fine Art degree (majoring in Painting) co-presented by RMIT University and Hong Kong Art School. He also received a Master degree of art from the UK and a Master degree in interactive media from the Netherlands. He has been involved in many multi-disciplinary projects and is interested in exploring the new perspectives of different mediums and their concepts. For instance, he initiated Pseudo Collection – What do artists collect in 2016 – a curatorial project to investigate the idea of ‘Artists as collectors’ and the meanings of collecting in the field of art. 

Cheung is currently a PhD candidate in Translation, Interpreting and Inter-cultural study. His research is focusing on intersemiotic relations in contemporary art and art writings.

張康生分別取得澳洲皇家墨爾本理工大學藝術學士及碩士學位,並於英國和荷蘭取得藝術碩士及互動媒體碩士。熱衷參與跨媒介創作,並思考展覽與藝術的創意去探索不同媒介的可塑性,例如發起《偽‧集藝─藝術人的收集物》展覽去討論收集與收藏行為對藝術家的意義。他現為翻譯、傳譯及跨文化研究系的博士研究生,研究當代藝術作品與藝術書寫的符際關係。

Looking back at the course of my creative career and teaching, even though I have been touching upon different media and disciplines, I have never given up on ‘Painterly’. My understanding of the term is my starting point, which has extended to affect my attitudes, concept and vision.

回望創作及教學歷程,即使涉獵不同媒介、科目,但離不開對Painterly的堅持。我對該詞的理解,並以此為出發點,再伸延至態度、觀念及視野。

The overlapping of reality, memory and recurring dreams is a popular subject in art. The word ‘dreaming’, however, has derived from a new context since 2019. It has impacted my sensory memory of this city, ranging from weird to absurd, lingering in my mind and running around in my blood.

現實、記憶與夢境的交疊,算是十分常見的題材。自從二零一九年以後,「發夢」在新的語境下別具意義,亦衝擊著我對我城的感官記憶。由詭異到荒誕的影像,不時在腦海中縈繞、在血脈中亂竄。

Dreaming
發夢

2020
Digital print, charcoal on paper
數碼打印照片、碳筆畫
120 x 150 cm

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